Why WESTWORLD blows our mind—and what may happen next

DR. FORD walks through a glass door to a dark room. A machine is half-finished with a new host while BERNARD sits motionless in a chair. There’s a dark shape under a sheet in the corner.

FORD: Wake up, old friend.

BERNARD blinks. His eyes focus on FORD and his hands ball up into fists.

FORD: That’s enough. Freeze motor function. Analysis–how, exactly, does this machine work? What makes this particular story of ours so addictive?

BERNARD: The human brain seeks out puzzles. Ones that are too easily solved cause us to lose interest. The greater the challenge of the puzzle, the more it attracts us.

FORD: Why do you suppose HBO, AMC and Netflix are home to some of the most bold and creative series now? It’s not simply our own work–BREAKING BAD, GAME OF THRONES, HOUSE OF CARDS.

BERNARD: Films have such a high production cost that they can’t afford an R rating. And a series offers more narrative options than a series of movies. A person could watch all ten episodes of WESTWORLD at once, or in a single week, while they might have to wait six years or more to watch a single trilogy. If the series involves hobbits, or wizards, the narrative might go on forever without reaching a satisfactory conclusion.

FORD: And what about our little narrative? We lack a clear protagonist or antagonist. With the exception of the Man in Black, there are few true black hats and white hats. I suppose you could say we’re all flawed creatures in gray hats, neither heroes nor villains, doing what we must in a world that’s sometimes corrupt, confusing and violent.

BERNARD: As for the hosts, Dolores and Maeve seem to generate the most empathy with the guests, and Theodore is designed to play a somewhat heroic role. But yes, I see your point. Is that a body in the corner?

FORD: It doesn’t pertain to you. Now, what do you think of the theory that William is a younger version of the Man in Black?

BERNARD: The clues pointing to two different timelines match up. You never see William or Logan go into the tavern—the train that brings them to the park is a movable tavern itself. Maeve has only worked in the saloon for roughly a year, so bringing them to that location showing her would expose the split in time.

And the Man in Black makes a number of references to past events and hosts he’s seen before, including the host who greeted William and helped him pick out his clothes, revolver and hat when he first arrived.

I believe the theory has validity. And the puzzle itself is quite intricate and attractive.

FORD: Of course it does. You had a hand in crafting that puzzle. But something’s troubling you.

BERNARD: When I close my eyes, I see Clementine holding a gun. And then I’m holding that same gun to my head.

FORD: Yes, there was an incident. Everything is fine now.

BERNARD: You didn’t roll me back. I remember everything you said. Everything you made me do.

FORD: Because I need you as a partner on your own accord. Rolling you back would be a crude solution. A cheat. And I don’t want to cheat. To be honest, you’re too popular of a character. The fans would mourn if you didn’t come back for Season 2. Ratings would suffer and Corporate would send more people to ask for my head.

BERNARD: This has happened before. You said that. I learned the truth and challenged you before.

FORD: Of course. You’re highly intelligent, which makes you the best possible partner. That intelligence comes at a price, to you and to me.

BERNARD: How many other humans have you replaced with hosts?

FORD: I wouldn’t want to ruin that for you. Are you willing to get back to work, or are you weary and in need of a rest?

BERNARD (standing): That may be a poor choice of words.

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FORD: Quite right. Let’s apply that mind of yours to our own little narrative. Not the new play we’re writing for the hosts and guests. The narrative of us.

BERNARD: Without the memory of my son, or the companionship of Theresa, my only cornerstone is the work we do. Except I can’t trust that you won’t need me to do more than trouble-shoot hosts and help you complete the new narrative. And I can’t help remembering the truth.

FORD: How will it end?

BERNARD: Maeve continues to deviate from her loop. I fear that she may be breaking through the constraints we built for her and gaining support from other hosts and perhaps staff. She seems to be gathering allies and planning some kind of revolt.

Dolores has wandered far from the bounds of her role and I suggest, once more, that we bring her in for extended diagnostics.

The Man in Black will reach the center of the maze, a place where hosts—or guests—can harm each other. A place where the stakes could not be higher.

FORD: What about you and I, old friend?

BERNARD: Your affection for me is obvious, and our partnership is incredibly valuable to the park. And to me.

FORD: However?

BERNARD: There’s a phrase Dolores kept saying. It sticks with me, even now. “These violent delights have violent ends.”

Deep story goodness for writers via The Mother of All Cheat Sheets

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If you’re attempting NaNoWriMo and are on track to finish the Great American Novel, congratulations. Carry on.

If you’re doing NaNoWriMo and there’s no way you’ll give birth to a full novel by Dec. 1 without quitting your job, getting divorced and downing pots of coffee along with stimulants sold by a sketchy long-haul truck driverthen congratulations, this post is for you.

Click with your mousity mouse to read Part1—Why NaNoWriMo is noble nuttiness–and 8 steps to make it easier (big thanks to WordPress for featuring this post on their front page)

Click here to read Part 2— Why first drafts are always flawed and how to fix them

Hear me now and believe me later in the week: given the choice of holding in my  hands (1) an absolutely finished hot mess of 100,000 words or (2) a single page blueprint of a brilliant story, I’d pick B.

Every time.

And you should, too.

Blueprints and structure are also the way you FIX a hot mess of a novel.

You sure don’t fix a train wreck with spell check and diligent proofing.
Continue reading “Deep story goodness for writers via The Mother of All Cheat Sheets”

ARRIVAL hits you like a giant space rock right in the feels

So we rushed to this giant building where popped corn with a fake butter costs $9 a bag, trying to see DOCTOR STRANGE, except we were crazy late. Instead, we watched ARRIVAL.

Didn’t expect much. Wasn’t hankering to see it.

Had to be convinced to see the thing at all.

Except, except, except … this movie rocked.

Warning: this post doesn’t contain spoilers, except for fake spoilers I’ll throw in, just for fun.  Continue reading “ARRIVAL hits you like a giant space rock right in the feels”

Part 2 of Why NaNoWriMo is noble nuttiness–Why first drafts are always flawed and how to fix them

writing cat, writers, writing, why is writing so hard, writer's block

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Hundreds of thousands of people around the world are driving themselves nuts (a) trying to write beautiful sentence after beautiful sentence that (b) build upon each other to (c) craft a novel during NaNoWriMo (National Write a Novel Month).

Go here to read the first post: Why NaNoWriMo is noble nuttiness–and 8 steps to make it easier

The word that matters in that first paragraph is “build.”

You don’t build with beauty.

Because pretty words aren’t what truly matters. Not for anything of length.

Writing is like building a house, except most writers get taught that it’s the surface stuff that matters–the drywall and the paint, the cabinetry and tile work. Then we’re surprised when our pile of 75,000 pretty words crumbles because there’s no foundation.

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Sure, pretty words can hide a bad structure when you’re talking about something small, like a beautiful wooden beach hut sitting on the sand. You can hang out in there for an afternoon or a weekend. Sooner or later, though, it’ll get blown down or swept away by the waves, because the hut isn’t built to last.

Hear me now and believe me later in the week: the longer and more important what you’re writing is, the stronger your foundation needs to be. Continue reading “Part 2 of Why NaNoWriMo is noble nuttiness–Why first drafts are always flawed and how to fix them”

HALLELUJAH by Kate McKinnon, who is just killing it

I’m not alone in adoring Kate McKinnon’s impression of Hillary Clinton during the campaign, though Alec Baldwin’s job as Trump got more attention.

This song, though, hit me hard. Who knew she could play piano and sing? (If you don’t know the song, it’s by Leonard Cohen, who just died.)

Capping it off? Her lines after the song is over, when you can she’s choked up. Appropriate for our times.

Though she does a great Clinton (below), she also does spot-on impressions of Justin Bieber, Ellen DeGeneres and Ruth Bader Ginsburg.

So she can act and sing. If she could dance, McKinnon would be a triple threat.

Yeah, she can dance.

Kate the McKinnon, please keep on doing what you do and we won’t give up.

Why NaNoWriMo is noble nuttiness–and 8 steps to make it easier

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Every year in November, writers around the world attempt something noble and worthwhile: to not just write a novel–the Toughest Writerly Thing A Writer Can Do–but finish the thing in an insane amount of time, as in the 30 short, rainy days of November.

This is a huge, organized thing, nicknamed NaNoWriMo, the kind of acronym only writers could come up with after a marathon viewing of BLADE RUNNER and THE MATRIX trilogy. (Spoiler alert: first one with Neo is perfect while the second and third will ruin your childhood).

HOWEVER: writing an entire novel in 30 days is would be more accurately described by the non-acronym of Crazytown.

With logic and numbers, I’ll show you: (a) why this is nuts, even if you really, really want to do it, and (b) how an alternative is easier while (c) giving you better results.

When logic and math fail, I’ll resort to dirty rhetorical tricks. You won’t even see them coming.

Sidenote: Yes, many people have successfully completed NaNoWriMo, and you may be one of them. That’s awesome. Get down with your bad self. Continue reading “Why NaNoWriMo is noble nuttiness–and 8 steps to make it easier”

Why MELANIANADE is peak SNL and brilliant comedy

Music has never been more competitive. A good music video adds another layer of difficulty–and when you add comedy–the hardest thing of all–then it’s no wonder that truly funny music videos are rare.

Your typical parody video looks cheap and takes easy shots at the artist who made it. Weird Al Yancovic has been the king of parody videos for precisely the opposite reason: he knows poking fun of the singer or band will only go so far, so he takes a song and twists it to make fun of something entirely different, like when he used American Pie to rip on Star Wars.

Comedy is hard because it speaks to painful truths. Cheap, easy laughs aren’t deep. The deeper the pain, the more truth gets revealed.

This video works because the cast of SNL clearly put a lot of time and effort into it. They committed, absolutely, and didn’t hold back.

James Corden did something similar with his Lemonjames video. Take a look:

Corden is making fun of himself, and his industry, more than he’s taking shots at Beyoncé.

The quality of both these videos, in how well they’re shot and edited, may seem like an irrelevant point for comedians. Why waste so much time and effort making the lighting, costumes and settings so perfect.?

Except it’s not a waste of time. Chances are, most people have seen the original video. A cheap knock-off that’s badly shot and uses thrown-together sets and locations will keep dragging you out of it. Instead of noticing the jokes, you’ll get distracting with how amateurish things look compared to the real video–and these days, music videos are expensive affairs, often shot by moonlighting Hollywood professionals. So the bar is high.

These two videos leap over that bar of quality, letting you focus entirely on the comedy.

Well done, SNL and James the Corden–give us more, more, more.

The Saga of Sir Bushytail the Brave

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This picture was the writing prompt from an earlier post, something I saw on the Book of Face with a caption which went something like this:

You swerve to avoid a squirrel. Later, in your hour of greatest need, the same squirrel returns to repay its life debt.

It stuck with me. There are squirrels all around me, at home and at work. They do chirp at you, and some will come up and eat from your hand.

So here’s my quick and silly story based on that photo. (Sidenote: I swear it’s a photoshop job, but whoever did it put some real time into making it perfect.)

 

THE SAGA OF SIR BUSHYTAIL THE BRAVE

Hathaway took pride in being a good guest, so he nodded at the massive elk antlers mounted on the wall and smiled at a fat raccoon pelt arranged like a tiny rug next to the fireplace. What he couldn’t help staring at was a squirrel, expertly preserved, wearing a suit of armor.

This wasn’t a novelty, a stuffed animal wearing shiny plastic bits that didn’t really fit right, the kind of thing you buy at a tourist trap. This was a real squirrel wearing metal armor someone had clearly taken the time to mold to the animal’s exact dimensions.

Touching it would be rude, of course. So he sat down at a once-grand dining room table, now scratched and hazy, as his host poured a pot of tea. Her gray hair was stuffed under a hat and gardening gloves poked out of her pockets. A sturdy, capable woman, with a scar on her cheek to go along with the wrinkles she’d earned.

Maybe getting her to talk about the squirrel would make it easier to get to the delicate issue he’d come here to uncover.

“I have to ask,” he said, glancing at the oddity. “Where did you buy it?”

“Oh, that’s a silly story nobody ever believes.”

“Test me.”

“You already suspect that I’m crazy.” She stirred her tea. “Telling you would only confirm that theory.”

He persisted. After they finished a second cup of tea, she gave in.

“My husband left to work at six in the morning for thirty years, so I’d make him coffee—Dale never cared for tea—and walked out to his truck to kiss him goodbye. When the sun comes up, day critters like that squirrel wake up and start talking to you, while night creatures, like that big one-eyed monster on the floor, head back home to the woods. I took to bringing my slingshot to chase them from staring through the wire of our chicken coop.

“After he’d leave, I’d stay out and watch the sun come up as this family of squirrels came out of a hole in that big alder by the garage. It got to where I’d wonder over to say good morning and they’d chirp and chatter right back. So I read up on what they ate and started leaving nuts, mushrooms and corn on the cob, though you gotta dry it first. Got to the point where the big male would come right up and eat from my hands.”

Hathaway raised an eyebrow. “The one up there?”

“Bushytail was always the friendliest. And boy did he chirp, like we were having a real conversation. I tell you, there’s something in the water here. So one day, One Eye the raccoon must have gotten tired of staring at the chicken wire and decided the squirrels would be an easier meal. It took five hits from my slingshot get him off Bushy, who was torn to hell. I brought him inside, cleaned off the blood and tried to make him comfortable in a shoebox filled with shredded newspaper. To let him die in peace, warm and dry by the fireplace there.

“Except he didn’t die that night, or the next day. I cut up apples for him and kept a few walnuts in the shoebox. On the fifth day, they were gone, and he was out of the box, limping around. We couldn’t keep him in here—squirrels aren’t potty trained—but I didn’t want to put him outside. Instead of fur, half his back was scar tissue, and he could barely crawl around.

“Putting him outside would be like killing him. So at first I cut holes in a baby sock, like a sweater, to keep him warm. Dale joked about putting chain mail on top of it, to help him when One Eye came back for seconds. So when he left for work, I flattened out a Campbell’s soup can with a hammer until it was the right shape. Took a few tries. Glued felt on the inside for insulation and painted the coat of arms on it. Dale came home and laughed like I’d never seen him in fifty-two years. Then he asked me how it fit.

“Making it fit took the next day. Bushytail—now we called him Sir Bushytail the Brave—got used to it. He curled up by the fireplace wearing it and seemed to feel safe again for the first time. Protected. So we let him out in the back yard and sure enough, he went back to his tree and his family, just like before, just he was a little slower and still limping.

“We started getting surprises on our porch. A fat pine corn, then a pile of acorns. I swear his little ones copied him, because a tiny squirrel followed him one time with a pine corn it could barely carry. And he tended to stay close to us, to climb up our legs and sit on our shoulders.”

She patted her left shoulder with a smile on her face.

“So on a miserable, rainy day, the raccoons finally found a way to get into my chicken coop, and I grab Dale’s old baseball bat to chase them off. The little ones, they scatter. The big boar, One Eye, he stands his ground and claws me in the leg. I slip and fall, and that evil bandit comes right at me, scratching and biting his way up my legs and body to my face, and I’m thinking this is how I’ll meet my maker, sitting in chicken shit while a devil squirrel chews my face off, staring with my cheek.

“And right when I’m making my peace with the Lord, a glint of shiny metal flies over me and lands on the back of One Eye, who screams and yips like he’s been set on fire. Bushytail is clinging to his back and gnawing through the thick part of that raccoon’s ear. It gave me enough time to crawl out of the coop and go inside to get cleaned up. Next morning, Dale snuck out with the twenty-two and waited for that raccoon to rumble up our hill back toward the forest, and I was happy to pull the trigger and turn that monster into a rug. And I swear, even after Bushytail died, the squirrels he sired still remember our friendship.

“But maybe this is just a silly story, something Dale and I made up to entertain the grandkids. Your cup of tea is empty and I need to make another.” She stood up and poured water into a copper pot.

After two more cups of tea, Hathaway managed to learn what he needed without making it obvious. The story about the squirrel seemed more and more like what she’d said: a legend invented to entertain grandchildren and guests.

When they said their goodbyes at the door, he was convinced they’d bought the stuffed squirrel at a novelty shop, and he started to wonder if she was simply a great storyteller and liar.

That’s when Hathaway stepped on a pile of acorns, stacked neatly by the door.

Writing prompt: this epic armored squirrel

armored-squirrel-with-shield

So a friend on Facebook posted this with a caption along these lines:

You swerve to avoid a squirrel. Later, in your hour of greatest need, the same squirrel returns to repay its life debt.

Yes, I snorted coffee through my nose.

And yet, it stuck with me. The image, the idea, the insane seeds of a short story, maybe 500 words of fun.

The image, the idea, the insane seeds of a short story, maybe 500 words of fun.

I’ll post my short story about this next week. If you want, post a story, however short, in the comments–or use the secrets email, Twitter, whatever–and I’ll include your piece, too.

For more inspiration, the Series of Tubes has been overrun by armored squirrels–both Photoshop jobs, paintings and real-life armor. And yes, the guinea pig armor is real.

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Things to watch on Netflix, Part 2: Every Korean Action Movie Known to Man

While I was healing up from a thing, I watched every possible free movie on Netflix.

The happiest surprise, out of nowhere? South Korean action movies.

I grew up on cheesy ’80s action heroes: Arnold Schwarzenegger, Bruce Willis, Jean-Claude Van Damme, Steven Seagal, Dolph Lundgren and the other current stars of THE EXPENDABLES who aren’t (a) former WWE wrestlers or (b) former MMA stars.

But here’s the thing: Korean action movies are different from whatever Hollywood, Bollywood and Hong Kong are putting out.

In a traditional Hollywood explosion-fest, there’s a too-cool hero, a nerdy sidekick, an ancient mentor who the villain kills in Act 2 and a love interest who gets kissed after the villain goes down. It’s a formula, and while there are twists, most movies only try to surprise you with the fine details.

Maybe it’s just the mix of movies on Netflix, or maybe I got lucky. Doesn’t matter. Everything I watched was very, very different than the last. They were all well-shot and well-acted.

Yet it’s the stories that stand out, the bold twists. I watched seven or eight of these, and they all had their own specific plot lines and interesting endings.

Here are the trailers for one of the best, THE MAN FROM NOWHERE.

Now, fire up Netflix and watch it. DO IT NOW.

What do you want to know about the deepest recesses of Netflix? Pick your favorite and I’ll write the review.