VERY NOISE by Igorrr is definitely weird, but is it any good?

Anyone today can make music, then jack into the Matrix and upload their creation–along with a video–for the world to see.

If they can find it.

I scoured YouTube and found this thing, so let’s take a peek before we talk smack.

First, I have to say the music is fine. Don’t hate it, don’t love it, but perfectly listenable. Nothing super strange or unique about it.

The video is what interests me, because they obviously (a) had a decent CGI budget and (b) put some real thought into a storyline that’s (c) pretty funny and effective.

Who doesn’t like monster movies, and a bit of Godzilla-like smashing of a metropolis or three?

And who won’t enjoy an unlikely hero, in this case a motorcycle-riding old man, riding in to fight the monster even though it’s suicidal?

My only quibble with this video is a longer fight would have been enjoyable. Also expected, which is probably why they subverted that by having the Ancient Biker Anti-Hero kill the monster in this unusual and non-heroic way.

VERDICT

Hey, this is art, and it is both interesting and different. Give us moar.

Carly Rae Jepsen + NIN = WIN

This is brilliant. Watch, then let’s chat about it.

So, I’ve grown up with music videos, with this thing in the ’80s and ’90s we called MTV playing them 24/7 before demented studio execs decided a channel devoted to music videos by the most talented singers and bands in the world made far, far too much sense.

Why not should switch gears and move away from that so-called entertainment? What does U2, Bruce Springsteen or Lady Gaga know about showing people a good time? Devote your airtime to human train wrecks with shows like Jersey Shore, where a grown man actually ordered pizza on the phone and, when asked for his name, told the pizza place it was “Situation.”

My favorite bit is the pizza man, Who Is Not Having It, giving post-post-modern MTV its first and last flirtation with what I like to call “the real world,” except not in capital letters because it isn’t a fake show with fake people in fake situations.

Therefore: hat tip to my sister for finding this, and kudos to the creative soul who took the time to stitch together this mashup of Carly Rae and NIN–this is an expertly timed masterpiece.

Well done. You have talent and a great ear for mixing two very different songs. Give us more, por favor.

Why MELANIANADE is peak SNL and brilliant comedy

Music has never been more competitive. A good music video adds another layer of difficulty–and when you add comedy–the hardest thing of all–then it’s no wonder that truly funny music videos are rare.

Your typical parody video looks cheap and takes easy shots at the artist who made it. Weird Al Yancovic has been the king of parody videos for precisely the opposite reason: he knows poking fun of the singer or band will only go so far, so he takes a song and twists it to make fun of something entirely different, like when he used American Pie to rip on Star Wars.

Comedy is hard because it speaks to painful truths. Cheap, easy laughs aren’t deep. The deeper the pain, the more truth gets revealed.

This video works because the cast of SNL clearly put a lot of time and effort into it. They committed, absolutely, and didn’t hold back.

James Corden did something similar with his Lemonjames video. Take a look:

Corden is making fun of himself, and his industry, more than he’s taking shots at Beyoncé.

The quality of both these videos, in how well they’re shot and edited, may seem like an irrelevant point for comedians. Why waste so much time and effort making the lighting, costumes and settings so perfect.?

Except it’s not a waste of time. Chances are, most people have seen the original video. A cheap knock-off that’s badly shot and uses thrown-together sets and locations will keep dragging you out of it. Instead of noticing the jokes, you’ll get distracting with how amateurish things look compared to the real video–and these days, music videos are expensive affairs, often shot by moonlighting Hollywood professionals. So the bar is high.

These two videos leap over that bar of quality, letting you focus entirely on the comedy.

Well done, SNL and James the Corden–give us more, more, more.