Best song ever for Halloween? WEREWOLVES OF LONDON

Yes, you can make a case for THRILLER, which is epic and famous and spawned 6,459 videos of people doing the dance moves.

Yet this scrappy underdog of a song by Warren Zevon is the rightful king of Horror Gondor.

What we have here is pretty simple. There’s no giant production budget, no army of backup dancers who all spent six hours getting zombified in the makeup trailer. No bigshot Hollywood director making a quick buck.

Warren Zevon gives us a quirky little song about werewolves that take us in unexpected places.

He humanizes them without taking away their essential and bloody werewolviness.

My favorite lines are those little lyrical surprises–the werewolf looking for some good Chinese food and wearing bespoke clothes. Best line of all is the aside at the end: “His hair was perfect.”

This song is perfect. It cannot be improved upon.


I saw werewolf with a Chinese menu in his hand
Walking through the streets of SoHo in the rain
He was looking for the place called Lee Ho Fooks
For to get a big dish of beef chow mein

Ah-hoo, werewolves of London
Ah-hoo, werewolves of London

You hear him howling around your kitchen door
You better not let him in
Little old lady got mutilated late last night
Werewolves of London again

Ah-hoo, werewolves of London
Ah-hoo, werewolves of London
Ah-hoo, huh

He’s the hairy handed gent who ran amok in Kent
Lately he’s been overheard in Mayfair
You better stay away from him, he’ll rip your lungs out Jim
Huh, I’d like to meet his tailor

Ah-hoo, werewolves of London
Ah-hoo, werewolves of London

Well, I saw Lon Chaney walking with the Queen
Doin’ the werewolves of London
I saw Lon Chaney Jr. walking with the Queen, uh
Doin’ the werewolves of London
I saw a werewolf drinkin’ a piña colada at Trader Vic’s
His hair was perfect

Ah-hoo, werewolves of London
Hey draw blood
Ah-hoo, werewolves of London

Source: Musixmatch

Top 5 music videos from Ukraine’s fight for freedom

What the people and soldiers of Ukraine have done is incredibly impressive, creative, and heroic.

I’ve watched and read about this war since the day Russia invaded, and want to hail the heroes who are liberating so much of their land in the last two weeks. Books will be written about them. I will forever be impressed by the courage of the Ukrainian people and the leadership of President Zelensky.

On Mondays, I usually post (a) obscure music videos that need to be shared or (b) make fun of popular artists who spent more than the gross national product of Paraguay to create a music video that should not exist.

Today, I want to post my top five favorite music videos coming out of Ukraine during this war.

These videos may not seem important. Yet from the very first Bayraktar video, I believe they helped boost morale inside the country and galvanize international support in a way that policy papers and numbers never could.

First up is a solid, traditional choice: use a rock song as the soundtrack for footage.

Second is creative goodness piled on goodness, with The Kiffness turning a soldier’s solo into seven different flavors of awesomesauce.

Third: a tribute to the soldiers.

Fourth, we have a change-up, edited more like a movie than a music video, with a slowed-down cover of Lincoln Park–so well done.

And fifth, a classic–soldiers doing the original Bayraktar song. Sláva Ukrayíni!

THAT FUNNY FEELING by Bo Burnham is today’s WE DIDN’T START THE FIRE, except better

Listen: I usually find obscure music videos, or make fun of popular pop stars spending the gross national product of Paraguay to create something that should not exist.

HOWEVER: There are rare moments of joy, little pockets of wonder and awe, where I find a song with a music video that generates nothing but admiration and a desire to share.

The commentary I will offer is that this song is today’s answer to Billy Joel’s WE DIDN’T START THE FIRE, except I’d say the lyrics are deeper and more meaningful. Because instead of simply listing as many historical events as possible, Bo is commenting on them.

This line alone hits like a hammer: A gift shop at the gun range, a mass shooting at the mall.

Video is below, then the lyrics.

And I just hope Bo keeps on making more like this. Everything I’ve seen from INSIDE OUT has been different and worthwhile.

I can’t really, uh, play the guitar very well, um, or sing
So you know, apologies

Stunning 8K-resolution meditation app
In honor of the revolution, it’s half-off at the Gap
Deadpool’s self-awareness, loving parents, harmless fun
The backlash to the backlash to the thing that’s just begun

There it is again, that funny feeling
That funny feeling
There it is again, that funny feeling
That funny feeling

The surgeon general’s pop-up shop, Robert Iger’s face
Discount Etsy agitprop, Bugles’ take on race
Female Colonel Sanders, easy answers, civil war
The whole world at your fingertips, the ocean at your door
The live-action Lion King, the Pepsi Halftime Show
Twenty-thousand years of this, seven more to go
Carpool Karaoke, Steve Aoki, Logan Paul
A gift shop at the gun range, a mass shooting at the mall

There it is again, that funny feeling
That funny feeling
There it is again, that funny feeling
That funny feeling

Reading Pornhub’s terms of service, going for a drive
And obeying all the traffic laws in Grand Theft Auto V
Full agoraphobic, losing focus, cover blown
A book on getting better hand-delivered by a drone
Total disassociation, fully out your mind
Googling “derealization”, hating what you find
That unapparent summer air in early fall
The quiet comprehending of the ending of it all

There it is again, that funny feeling
That funny feeling
There it is again, that funny feeling
That funny feeling

Hey, what can you say? We were overdue
But it’ll be over soon, you wait
Hey, what can you say? We were overdue
But it’ll be over soon, just wait
Ba-da-da, ba-da-da, ba-da-da-da-dum
Hey, what can you say? We were overdue
But it’ll be over soon, you wait
Ba-da-da, ba-da-da, ba-da-da-da-dum
Hey, what can you say? We were overdue
But it’ll be over soon, you wait
Ba-da-da, ba-da-da, ba-da
Hey, what can you say? We were overdue
But it’ll be over soon, you wait
Ba-da-da, ba-da-da, ba-da-da-da-dum

Source: LyricFind

1 PUMP LOTUS will never sell out

A conversation with Tyler B., bass guitarist and lead singer.

Question: Why did you get into punk rock?

Tyler B: Listen, this isn’t just a rusted ’83 VW van packed with second-hand amps and people who haven’t showered for 72 hours. This is a vehicle stuffed with music, dreams, and truths that you’ll never get from Corporate Rock, which should be illegal. You know, a class B misdemeanor or whatever.

Exhibit 1 is Nickelback. The People rest, your Honor.

That’s why we will never sign with a label or take paper money of any sort. Barter, man. Barter all the way, because banks are just one more way they try to control your life with debt and paperwork.

For playing a gig, we only accept the following: bags of burritos, liters of tequila, and gallons of diesel for the van.

Question: I listened to your demo tape, and hear your first real single will debut soon. What can you tell us about that?

Tyler B: Yeah, DECAF comes out this Friday and we’re doing it live at Hunter’s graduation kegger. Still tweaking the lyrics, though I can give you a taste.

The Devil drinks decaf

He’ll fill your cup

Eight ounces of nothing


We’re deconstructing pop music, see, like starting with the chorus. Then I do this spoken-word interlude with Tyler B. just plucking a single note:

I see you all. I know you’re always tired and sleepy as hell. Working two jobs and still can’t pay the rent. Ask for a raise, boss tells you to get bent. Everybody told you to keep your head down, work hard, follow the rules. But the game’s rigged, you can’t win, and all you want to do is scream.

Imma tell you something: you gotta focus on the little things you can control. Like what you put in your body. No concoctions from Dow Chemical, or any of that random herbal shit in Red Bull nobody understands.

You need coffee, black and beautiful. Maybe a little brown sugar and cow goodness.

But that’s it. Screw artificial sweeteners and that coffee creamer powder nonsense. Who even knows what’s in there?
And decaf? That’s just a liquid lie.

Then we blow up the chorus again. No melody whatsoever, no bridge. Chorus and spoken-word all the way. Okay, except for the drum solo. That’s a banger.

Question: I see there’s a Tyler A. listed as lead singer, and you seem to have a Tyler theme going on. What message are you sending by choosing those stage names, and who picked them?

Tyler B: Our mommas. Not a joke, okay? Those are our real names. Half the kids I grew up with are named Tyler or Hunter.

Also, after the thing at Mount Hood last weekend, we are searching for a new lead guitarist, unless the park rangers find him first. If you can play three chords, you could be in. Hit me up.

Elizaveta sings a Ukrainian folk song and yes, crying is okay

Usually, I will (a) find an obscure and bizarre music video, (b) make fun of famous bands with famously bad videos, or (c) delight in the discovery of something musical that is unique and amazing.

The world is too crazy right now. Making fun of things, even when it is deserved, doesn’t sit right with me today.

As a former journalist, I still love the news. The only stories I want to read right now are about Ukraine, in the hopes that they defend their country and can rebuild and live in peace again. (Some of you know what I’m talking about:, the Kyiv Independent, and

So I’m running into video after video of music from Ukraine, by ordinary people and soldiers, that moves me far more than any bazillion dollar extravaganza by whatever diva or boy band is hot right now.

This is the one that I keep watching.

What do I like?

I like how it starts as simply and slowly as you can, one woman singing alone, no music whatsoever.

I like how the other people come behind her and join in, and how the power of the chorus grows.

I like the feeling behind the words in a language I don’t understand.

And I like these people, fighting for their home, and for democracy.

Slava Ukraini.

Shuba hits us with a double-whammy and a twist

Okay, this video stands on its own as funny. Watch it:

Now here’s the twist–the person in the video above isn’t lip-synching to a pop song.

This is the actual singer, and here’s Shuba’s full music video.

VERDICT: 11/10 total points for creativity and guerilla marketing. You got me to watch the video.

Well played, Shuba, well played.

Even better: a bonus video where she sings I’M A SAVAGE in all these different voices. Absolutely perfect.

Woman accused of having billions in stolen Bitcoin also made the Worst Music Video of All Time

Which crime is worse, the digital money or the music video?

I report, you decide.

Here’s the deal: A married couple in their early 30’s may have stolen up to $4.5 billion in Bitcoin, and the FBI recovered a bunch of it.

They are accused of trying to launder 119,754 of the crypto coins, stolen back when those digital things were worth $70 million and such.

But the value went way up. Way, way up.

Before I dive into how these two jokers truly screwed up after pulling this off, let’s get to the music videos.

The woman’s name is Heather Morgan and she sings under the name Razzlekhan.

Her videos on YouTube went private after the arrest.

HOWEVER: you can’t defeat the interwebs when millions of people around the world have the motivation and skills to keep treasures like this alive. WARNING: bad words, bad lyrics, bad dancing, and bad singing ahead.

Is this the biggest heist of all time? The FBI puts it at No. 1 for seizing illicit monies.

There are all kinds of other famous heists, like the Great Train Robbery, that only brought in $3.4 million or so. Though I am trained as a journalist, and write the speeches, and did not major in mathematics, I’m pretty sure that $4.5 billion is larger than $3.4 million.

But is VERSACE BEDOUIN that the Worst Music Video of All Time? Maaaybe.

The competition is tough.

FRIDAY is pretty bad and comes to us from a professional singer and a professional production crew.

For amateurs, RED DRESS is high on the list because you’ve got decent camera work and all that for an amateur production but everything just seems off. Especially the singing. It’s the uncanny valley of bad videos.

Now, here’s where she and her husband went wrong–if they did what they’re accused of: Bitcoin is a silly thing to buy, a silly thing to hold, and a silly thing to steal.

If you rob a bank, there’s no natural trail. That’s why they have cameras, and vaults, and marked bills, and dye packs. The banks and the folks with badges and handcuffs have to work at creating a trail to whoever steals the money.

If you buy Bitcoin, and lose the key and such, poof, your money is gone. There’s a man in the UK who did that and has spent, I don’t know, a year of his life digging through the city landfill looking for his old hard drive with the Bitcoin info because he lost everything, the big dummy.

If you sell Bitcoin, or purchase something, there’s a record of that on the blockchain.

And if you steal it, yeah, there’s a still a record of purchases and sales. Which means it’s a lot easier for the police to start following the built-in trail that you can’t avoid. If you read the stories about this heist, they went nuts trying to launder the Bitcoin through all sorts of accounts and such and it Did Not Matter.

So don’t rob banks, don’t steal Bitcoin, and don’t buy Bitcoin in the first place. Buy some index funds, hold them, and forget about it until you retire.

Back to the music video. I’m going to give Razzlekhan the double win here: biggest heist and worst music video ever.

She gets the win because every single element is amazingly bad. The lyrics, the attempts at dancing, the singing, the camera angles. Everything.

Do they let you make compose and shoot music videos in federal prison?

Not sure. I believe we may soon find out.

Is RED DRESS by Sarah Brand intentionally going for Worst Music Video of All Time?

In the old days, back when MTV actually played music videos, it took some doing to shoot, edit, and release a music video. You needed a serious film camera, an editor, lights, an actual band, and a platform where people could see it. Thus, MTV.

In the ’80s–and even today–there are music videos shot by Hollywood directors and budgets in the millions.

Yet these days, we all carry supercomputers in our pockets, and fool with an iPhone can shoot a video and edit it on their laptop.

That doesn’t mean they should, or that it will be good.

Which brings us to RED DRESS by Sarah Brand, which is dividing the musical world. Is it horrible, intentionally horrible, or disguised brilliance, with the singer trolling us to boost her name ID before she releases her real music?

There are comments in the YouTube that try to explain this is “microtonal music,” and amazing, while vocal coaches and other smart people say that’s nonsense and that when she was asked what key this song is in, Sarah replied, “All of them.”

Here, watch this thing so we can properly discuss and dissect it.

What say you?

I believe, deep in my soul, that the evidence clearly points to Sarah Brand as being deadly serious about this, and not trolling us at all.

This wasn’t a quick little joke.

She composed, sang, directed, and edited this video. There’s a bit of a blooper real at the end. And it’s clear she recruited every friend in sight to be in it.

But hey, I’m not going to beat her up for trying. She’s not asking us to buy concert tickets at $100 a pop. There’s no link to buy T-shirts or anything.

Sarah wanted to make a music video and did it, and the Series of Tubes is a much simpler way to share it than trying to get MTV execs to play the thing.

Is it bad? Yeah. HOWEVER: there are tons of pop stars who sound great in the studio and terrible live.

Just like anything else creative, the editing and polishing means everything. Writing, photography, painting, whatever.

Here’s an amazing look at how much editing can fix. Same raw material, same voice.


I’m not going to do the easy thing and hate on this, or the hipster thing and try to claim this is microtonal goodness that regular people just don’t understand.

My point is this: art is hard. Yes, some geniuses like Dave Grohl can play all the instruments on an album they make in their garage for kicks and accidentally give birth to Foo Fighters, and some filmmakers can shoot and edit a film with a skeleton crew of themselves, their dog, and Neighbor Kid Walter to fetch Taco Bell when the actors get hungry.

But those are the rare, rare exceptions. Every artist is better when they have a team of professionals behind them.

VENGEANCE by Zack Hemsey is brutal and brilliant

Technically, this isn’t a music video, and technically, I don’t care.


Watch, then let’s discuss.

Perfect, right? The music matches the scene.

Not a little, not a lot, but so much I want to marry it.

It’s a slow burn. Tension keeps rising and rising, until it breaks and the drums kick in and it’s like Phil Collins song except Denzel Washington is slaying bad guys with severe amounts of style.

What I love about this action sequence, and the entire movie, is how Denzel’s Washington character keeps surviving and thriving despite being outnumbered and outgunned.

In 99.9 percent of action movies, the hero wins because he’s bigger and stronger (Arnold Schwarzenegger), flexible enough to do the side splits on different planets (Jean-Claude Van Damme), has better gear (IRON MAN, BATMAN), or has superpowers.

Denzel’s character wins by being clever. It’s so much more satisfying than mowing down acre after acre of faceless bad guys before confronting the Final Boss Villain on a rooftop, at night, while it’s raining, then listening to his maniac monologue and chucking him down a chasm to get impaled on something long and sharp.

There’s no creativity in showing us that again. We have seen it 329 times.

Denzel’s character in this movie, and the sequel, wins by being smarter than the bad guys. And he does it without getting repetitive, which is refreshing and entertaining. Even the first real fight scene of this movie, he’s planning things out and out-smarting the villains.

The final Home Depot-ish fight is the most creative of all. I love how he chains his traps together, starting with the stuff on the floor to use his barbed-wire and cement bag trap, then the next thug getting speared with a gardening tool when he stops to check out the body of his buddy.

Without music, this would be a wonderful scene.

With this music, it’s iconic, and I’ve watched the thing, like, five bazillion times. Do I rewatch Schwarzenegger mowing through 200 extras in baggy uniforms again and again? No.

Hat’s off to the director and the songwriter for pulling this off.

And yes, I have seen THE LITTLE THINGS, and yes, we will chat about it later this week. A beautiful film.

Bonus: full song from the movie soundtrack.

This music video is peak internet and you are required by law to watch it

Listen, I usually (1) make fun of wealthy stars spending insane amount of dough on CGI for a music video full of cringe, or (2) explore the depths of the interwebs and sometimes go back in time to discover the obscure and bizarre.

This video is completely different.

Somebody you never heard of is playing in the park, banging on bongos, and singing words from a 1930’s song that you will not understand unless you’re from the northern parts of Finland.

Even crazier: the melody goes back to the 17th century, according to something on the series of tubes called Wikiwand, which says: “The song is sung in very heavy Eastern Savonian dialects spoken in North Karelia. It takes the point of view of a young man and a woman named Ieva/Eva/Eeva in Finnish, who sneaks away to where everyone is dancing to a polka, and dances all night.”

Who can’t get down with that?

Also: although I’m Swedish, you have to admit Finland rocks. Best education system in the world. Beat the Soviet army and their tanks during World War II with a bunch of folks running around on skis with rifles. Wrote songs about people sneaking away to dance all night way back in the 17th century. Get on with your bad self, Finland.

Here’s the original footage.

Cool, right?

Then another man who’s not a household name takes that footage, uses some video editing magic, and turns some folk polka bongo goodness into an Epic Club Remix that I have happily listened to FIVE BAZILLION TIMES.

I mean, this thing is my new jam. I could not love it more. Crank up the volume to 11 and listen.

You’ve got the sound guru, a woman dancing like nobody’s watching, Vibing Cat–and to top it, a Random Horn and Strings Section.

I could not love this more. It’s impossible. Tried to. Didn’t work.

The Kiffness, you rock. Give us moar moar MOAR.