AGE OF ULTRON was an expensive monster that didn’t scare of thrill me. And I adore Josh Whedon as a writer and director. The first AVENGERS movie was great.
It’d be fun to see a director’s cut on Blu-Ray, knowing that studio execs had heavy hand in the editing room. Show us what got cut, Josh–give us the good stuff you had to leave out.
While we are all busy BLOGGING, instead of writing what we’re supposed to, I want to steal a concept from Hollywood (thanks, sis!) that all writers can use: Screen Time.
This works for any bit of writing, whether it’s an oped in a paper of news, a 30-minute keynote speech about saving the three-toed sloths of Costa Rica or an epic doorstop of a novel clocking in at 984 pages entitled ELVES WITH LIGHTSABERS RIDING DRAGONS AND THE VAMPIRE WITCHES WHO LOVE THEM. (Note: Don’t speak of this, because it tempts me, and I may write the first chapter of that book, then email it around until we actually hold in our evil little hands 984 pages that eviscerates Game of Thrones, Twilight, the Star Wars prequels and Lord of the Rings.)
So, back to the point: Screen Time is an essential test for any piece of writing.
I could put a gun to your head and ask, “What’s this novel / screenplay / letter to the editor really about?” and you might answer, “a time-traveling World War II nurse and the men in kilts who love her / waiting for some dude who never shows up / why the federal government is building secret tunnels underneath Wal-Marts in Texas to stage an invasion in cahoots with ISIS cells hiding in Mexico.”
And you might INTEND that to be the point of what you wrote.
The Screen Time Test will say if you’re a lying liar or not.
Movies are the easiest, so let’s go with AVENGERS: JAMES SPADER IS A SHINY ROBOT WHO HATES HUMANS. You take the heroes, sidekicks, villains, minions and nameless civilians in the film and add up the the number of minutes (or seconds) they actually show up on film. If you’re feeling insanely generous, add up minutes where other characters talk about them, too, though we may call you Cheaty McCheatypants. Continue reading “Put your writing to the Screen Time Test”→
1) It’s funny, and not in a forced way, like a Saturday Night Live skit that repeats the same joke seventeen times.
The actors seem natural and relaxed.
2) The director lets this scene play out.
Today, that’s rare, with directors eager to bust out the CGI and blow up more stuff that only exists as pixels on giant servers.
Josh Whedon figures he has enough excitement packed into the movie and gives us a long, funny breather. Which is wonderful, because not rushing the payoff for this scene makes is far more powerful.
3) That payoff is amazing, and a completely different emotion than how the scene started.
Ultron showing up like this is not only a surprise, but a shock, and his lines are simply perfect. Unsettling and dark and wonderful.
Well done, Josh the Whedon, well done. A far better trailer than the usual Michael Bay explosion-fest that’s required of every big-budget action movie.
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