Hard and Complex versus Impossible and Bizarre

This is about why Flappy Bird was such a surprise hit, Taylor Swift’s newest mega-video is meh and why your favorite movies, novels and video games work when others fail.

Here’s why: audiences want something interesting, and entertaining, which means different and surprising. Yet there’s a fuzzy line between Hard and Impossible and a deadly chasm between Complex and Bizarre.

It’s like thinking, “chocolate chip cookies are yummy, so why not chocolate chip cookies with almonds, M & M’s, pecans, Oreo sprinkles, peanut butter and a Snicker’s Bar on top?”

Watch the big Taylor Swift video, BAD BLOOD, then we’ll chat.

Now, this has high production values and great costumes, and I’m sure Michael Bay watched it on an endless loop all weekend. Yet it’s not elegantly complex and entertaining. It’s a hot mess, the music video equivalent of THE EXPENDABLES, with so many random stars thrown in for cameos that I have no idea who’s who. Does it look cool? Sure. Do we care one bit? No. Not even half a bit, or a quarter bit.

Compare that to the simplicity and beauty of Iggy Azalea’s BLACK WIDOW, which is a masterpiece, paying homage to KILL BILL and flat nailing it.

Continue reading “Hard and Complex versus Impossible and Bizarre”

BLACK WIDOW pays excellent homage to KILL BILL

music video meme sound of music

Music videos tend to come in a few generic flavors: (a) pop divas singing with backup-dancers, (b) boy bands singing while serving as their own backup dancers and (c) rockers howling while they sort of dance. For variety, musicians sometimes (d) try to get deep and artsy by filming their video in black-and-white. Whoa.

Truly different music videos are rare.

The exception: 30 SECONDS TO MARS rocks at almost every music video they do, but that’s because Jared Leto is a legit Hollywood actor who knows how to make big honking movies, much less short films. The man has an Oscar and such.

So whatever you think of Iggy, she does put effort into her music videos. FANCY was a nice riff on the movie CLUELESS, and now she pays homage (hipsters: go fight about how to pronounce that word) to the classic KILL BILL movies.

This is all good movie-music karma, since KILL BILL has one of the most epic soundtracks of all time.