Top 5 reasons Batman crushes the nancypants known as Superman

tinseltown tuesday meme morpheous

Now, I’m not saying that Batman would kick Superman’s keister in a fist-fight. No.

Though there is a hilarious series of posts over on The Correctness where they have Batman, Superman, Wolverine and other super heroes fight to the death, tournament style, each time debating who would win and why. It is amazing. Go read it.

I’m saying something different: that Batman is more far more interesting, cool and entertaining than the man who wears blue and red pajamas.

On to the reasons:

5) Batman movies rule, Superman movies drool

Comic books are a separate shebang, and the comic book nerds dive so deep into the Batman and Superman policy weeds that they Confuse me, because when it comes to the comics, I am a Bear of Little Brain.

Movies are something we all know and love, and it doesn’t take a lifetime of reading back issues of Detective Comics to say that THE DARK KNIGHT is 5,982 times better than all of the various Superman movies combined — plus every Transformer, G.I. Joe and My Little Pony movie ever created. (No, there is not a My Little Pony movie yet. At least I hope not.)

Superman movies are lame. Batman movies are fun.

Yes, there is that one exception, the George Clooney version of Batman with that blonde actress who was in a bunch of Aerosmith videos. Alicia Silverstone? Something like that. I hope she’s got a sitcom or reality show now, and that she burned that Batgirl costume, because her wearing it was an abomination. Even so, I’d rather watch the Clooney movie six times in a row than any random Superman flick.

If we throw out the one semi-decent Superman movie — the first one — and the one bad Batman with Clooney, you’ve got zero great Superman flicks versus a whole pack of good Batmans, a few great ones and three brilliant ones.

No contest. Batman wins.

4) Batman is dark and dangerous while Superman is a self-righteous ninny

We know exactly what Superman will do. He’s Mr. Perfect, completely predictable, completely indestructible and completely boring.

Batman keeps on surprising us. He’s got that one rule, but other than that, hey, watch out. Think that Superman would break a thug’s leg to find out where Joker hid a bomb? No. That would be wrong, boys and girls. Superman will use his X-ray vision to find the bomb. Or he’ll fly really fast to go back in time and prevent the bomb from ever being planted in the first place. Ugh.

3) The outfits, they are not comparable

Sure, early Batman looked little different than a five-year-old in pajamas who used a towel for a cape and put on a mask. Adam West’s costume is hilarious.

Superman’s red-and-blue pajamas, though, haven’t really changed over the years. They started out kinda odd. They’re still kinda odd. There’s nothing cool about them.

Batman’s costume has only gotten better and better. Michael Keaton looked amazing, years ago, and the Christopher Nolan movies turned the Batsuit into a work of art.

2) Alter-egos

Superman’s alter-ego is a bumbling reporter who wears glasses. Otherwise, he’s also a goodie-goodie two shoes just like Superman and nothing to write home about.

Batman’s alter-ego is playboy billionaire Bruce Wayne, who is entertaining all by himself.

Who else has a playboy billionaire alter-ego that’s endlessly entertaining? Tony Stark. Does this work as a movie? Oh yes.

Batman wins again.

1) Super powers get old, while gadgets and skills are always good

Invincible powers, like being bullet-proof and invincible and able to fly so fast you go back in time — those stink, because it’s unfair to the bad guys and unfair to the audience. We know who will win, every time.

Powers are also inherently bad because the average person reading a comic book or watching a movie can’t get (a) bitten by a radioactive spider or (b) decide to be born on a different planet and sent to Earth in some kind of spaceship aimed at a cornfield in Iowa.

Batman doesn’t have super powers. He has gadgets that he designs and makes, plus skills that he earned through hard work, study and sweat.

No matter how hard you try, you couldn’t become Superman, Spiderman, the Hulk or the other 927 super-powered heroes floating around out there.

Batman is achievable, given enough money, motivation and training.

Skills beat super powers every time. Also: girls like guys with skills.

ALSO-ALSO: Batman’s gadgets are so interesting and fun, Daniel Craig is jealous. What’s an exploding pen and a Aston Martin with machine guns compared to the Batsuit and the Batmobile? He’s got the grappling gun to zoom around, the cape with memory cloth to fly around Gotham and seventeen other amazing toys that you and I would love to have.

It’s also more interesting to watch somebody solve crimes and defeat villains using skills and brains rather than super powers that you inherited through no effort of your own. How did Superman prevent that comet from destroying the Earth? Oh, he flew out there and pushed it out of the way. No big deal. Didn’t even break a sweat.

If you’re watching a movie or reading a book, even a comic book, you want to identify with the hero. I don’t identify with Superman, not being an alien from another world with invincible powers.

I can identify with Batman, and every man alive would happily trade their two-car garage for a fully equipped Batcave.

Sidenote: By the way, Batman would wipe the floor with Superman.

BATMAN MAYBE by random funny peoples

music video meme sound of music

CALL ME, MAYBE is a simple little summer pop song, something that’s easy to take apart and mess with.

This is my favorite mashup: BATMAN MAYBE.

They get the actors and costumes right. I like it, I love it, I want some more of it.

Just because I can, here are the lyrics:

I rang your Wayne Manor bell
Your secrets I’ll never tell
But things aren’t going so well
Oh yeah and by the way,

This Harvey Dent day is crap
I know that you took the wrap
Its been eight years and no bat
And so I gotta say

Your dread was holding
Smoke bombs you were throwing
Dark Knight, cape was flowin
What the hell you doing lately!?

Hey, when I met you
It was crazy
A Lamborghini
And two hot ladies

You tried to look like
You were happy
But you were batman
And really angry

Hey, when I met you
You were crazy
You drove a Tumbler
Through Gotham City

And all the orphan boys
Tried to haze me
I know you’re batman
So stop being lazy

They say you’re pissing in jars
You got long nails and weird scars
And that you don’t drive your cars
Oh yeah and by the way

I think this cat lady steals,
She’s doing back flips in heels
Acting like its no big deal
And did I mention bane.

His fame is growing
Weird mask muscles showin’
Almost killed Jim Gordon
What you gonna do about it!?

Hey, When I met you
It was crazy
You drove a Tumbler
In Gotham city

It’s hard to walk right
With a bad knee
Go see a doctor
A leg brace maybe

Hey when I met you,
You were crazy
You used a sky hook
To kidnapp Chinese

This Harvey Dent day
It don’t phaze me
We need the batman
So quit being lazy

Before you were the Dark Knight
Gotham was so bad
It was so bad
I mean like so so bad

Before you were the Dark Knight
Gotham was so bad
Now we miss batman
So just be bat bat-man

It’s hard fight crime
From the east wing
So ride your bat pod
And shoot that gun thing

Hey when I met you,
You were crazy
You drove a Tumbler
Through Gotham City

And all The orphan boys
Tried to haze me
I know you’re batman
So stop being lazy

Before this Bane guy steals your cash
Just shave your mustache
shave off your mustache
Just shave off your mustache

Don’t put on the batman mask
With a mustache
Just shave your mustache
There is no bat-man-stache

 

ONE DAY vs. THE DESCENDANTS

On the airplane to Germany and back, I saw many, many movies.

Some were good. Some were terrible. Though my record of seeing something like 5,982 films on a flight to Dubai wasn’t broken, I saw plenty.

Two movies made a real impression for entirely different reasons: ONE DAY starring Anne the Hathaway and THE DESCENDANTS starring George the Clooney.

First up: ONE DAY.

Anne Hatheway — Catwoman this summer in THE DARK KNIGHT RISES — is a good actress in this bad movie, which smelled strongly of Nicholas Sparks.

Here’s the plot: boy meets girl, boy loses girl, boy gets girl back, girl gets hit by a truck and dies.

I kid you not.

When the truck smashed into Anne the Hatheway, I wanted to throw cutlery at the screen.

Then there was 10 minutes of the boy, Dexter, being sad about the love of his life dying like that. The End.

But maybe my sleep-deprived brain was being grumpy. So when I got home, I fired up the Series of Tubes and hit Rotten Tomatoes to see what professional critics thought of this movie, and they thought it stank up the joint. This reviewer hits it on the head.

HOWEVER: Let’s dive into why the movie rubbed audiences and critics wrong. The acting was fine. The dialogue was good. The episodic thing of showing one day per year of their relationship didn’t hurt the movie that much.

It was the structure and storytelling. The bones were all wrong.

ONE DAY is like sucking all of the comedy from WHEN HARRY MET SALLY and replacing the laughs with misery, then making sure the ending left the audience mad.

Love stories should make you believe in the power of love, not make you think, “The love of my life might get hit by a truck tomorrow, so why bother?”

Up until the truck hits Anne the Hathaway, she’s the focus of the movie, the protag, the heroine. It’s really her POV and she’s quite sympathetic while the boy, Dexter, is a charming jerk. After she’s randomly smashed by a truck, the POV and focus shifts entirely to Dexter for the last minutes of the movie. He wallows in misery. He gets drunk, starts fights in nightclubs, blah blah blah. Then he takes his daughter up to the same hill that he and Anne walked up when they first met and credits roll. Oooookay.

There are rules for (a) love stories, (b) tragedies and (c) horror movies. Rules that make sense for audiences and writers alike.

It’s not really a love story when your heroine gets hit by a truck for no reason. Not a tragedy, either, because tragedies require heroes who fall from grace. They cause their own downfall.

Anne the Hathaway didn’t do anything to deserve her death. Neither did she sacrifice herself for a cause, which would’ve made her death meaningful. Tom Hanks dying in PRIVATE RYAN sucked, but you understood why he did it: to save Matt Damon.

Now in horror movies, it’s perfectly fine for the boogeyman to kill any character in any way, but horror movies are really about punishing sin, with the monster going after lusty teenagers or silly scientists who think they can play god. Everybody dies in the end.

ONE DAY was bad because all sorts of things just happen for no reason.

  • Dexter randomly gets fired from his TV host job.
  • His first wife randomly cheats on him, so they get divorced.
  • Anne the Hathaway randomly gets pancaked by a truck.

If you’re doing a French existentialist movie in black-and-white with subtitles, that sort of thing is fine. Life is meaningless! Personal choice is an illusion! Things just happen!

Good love stories, good tragedies and good horror movies work because things don’t just happen. Characters make choices. Bad choices tend to get punished. Good choices eventually get rewarded. That’s a story.

Verdict: Rent it on Netflix if you want to get truly mad and need to pre-funk before the main event.

THE DESCENDANTS is an entirely different movie, and not just because it has George the Clooney in a Hawaiian shirt instead of Anne the Hathaway pretending to have a British accent.

There is a parallel: George’s wife dies in this movie. She’s in a powerboat accident right off and spends most of the movie in a coma before dying.

Now, that sounds sad, and superficially close to ONE DAY. Except it’s not. The wife isn’t the center of the movie.

The A story is George’s relationship with his two daughters, which isn’t great at the start of the movie. His young daughter keeps getting in trouble at school and his older daughter is in a boarding school to shape up.

The B story is whether or not George, as trustee of 25,000 acres of ancestral land — virginal, undeveloped land in Hawaii — will sell the land and turn it into golf courses and condos.

George’s wife is also a thrill-seeker who (a) does dangerous things like ride really fast in power boats and (b) was cheating on him. Also (c) she isn’t the protag for 3/4ths of the movie, as Anne Hathaway is before getting thwacked by that random truck.

So it makes story sense for George’s wife to get injured while riding too fast in a power boat with a man who’s not her husband, though this is a different man than the one she’s sleeping with.

And it makes story sense for the man she is cheating with — who is also married with kids — to get punished. This happens after George and his daughter visit and the man’s wife figures things out.

To get me to watch ONE DAY again, you’d have to hand me a stack of purple euros and an endless pitcher of margaritas, and even then, I’m 50-50.

I’d happily watch THE DESCENDANTS again. There are plenty of neat little moments throughout, like the obnoxious surfer-stoner friend of the daughter who turns out to be kinder and wiser than he looks. George is also happy to look goofy, like whenever his character runs, which is hilarious. He doesn’t insist on being a movie star.

This is what I like about George and his OCEAN 11 buddies Brad Pitt and Matt Damon — despite being voted Sexiest Man Alive, none of them care about looking stupid. They take risks. They roll the dice with movies big and small.

THE DESCENDANTS is a small movie that says big things. There are no CGI effects. It looks like a no-budget indie movie. And you don’t care, because the story is good.

George suffers, sacrifices and grows. He learns how to be a dad for his daughters, and makes the right choice by not selling all that land, consequences be damned. Things happen for a reason, and nobody gets randomly hit by a truck.

You leave the movie feeling hopeful, and a little wiser.

Verdict: Buy it, if movies can still be bought and stored on the cloud or whatever.