Tag Archives: Michael Bay

Like Godzilla in Tokyo, PACIFIC RIM smashes all expectations

Summer means big, dumb summer movies, typically involving (a) cops and convicts shooting each other and making things explode, (b) cartoons from the ’80s being turned into $253 million wastes of good CGI and (c) members of AARP like Bruce Willis, Arnold Schwarzenegger and Sylvester Stallone trying to prove they can still hang with the young Jason Stathams of the world.

However: There are some big, dumb summer movies that rise above the mediocre pack of Michael Bay wannabes and G.I. Joe retreads.

PACIFIC RIM is a beautiful B-movie. It’s not gonna win a single Oscar and it doesn’t try for that. What it aims for is simple, pure entertainment, and it does that job well.

Here’s the trailer.

The director of PACIFIC RIM is Guillermo del Toro, who directed HELLBOY and THE HOBBIT — basically, the man can direct anything he wants. He’s a movie-making muffin of stud who did PAN’S LABYRINTH, which is literary, beautiful and one of the most unique movies you’ll ever see.

PACIFIC RIM works because it goes big without getting ridiculous, and entertains without trying too hard. It’s the rare kind of movie where you leave the theater and wouldn’t mind seeing the thing again tomorrow, or even today. There’s so much to see and marvel at, and it’s a testament to Guillermo del Toro skill at storytelling.

So go see the thing. I bet you it’s two hour shorter and five times as entertaining as any random Michael Bay explosion-fest.

Bonus clips below. Enjoy.

An epic supercut of Godzilla smashing things

Featurette about the monsters in PACIFIC RIM

Featurette about the humans and their giant robots 

Related posts:

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This is Guy Bergstrom the writer, not the Guy Bergstrom in Stockholm or the guy in Minnesota who sells real estate or whatever. Separate guys. Kthxbai.

Guy Bergstrom. Photo by Suhyoon Cho.

Reformed journalist. Scribbler of speeches and whatnot. Wrote a thriller that won some award (PNWA 2013). Represented by Jill Marr of the Sandra Dijkstra Literary Agency.

10 Comments

Filed under 3 Tinseltown Tuesday, The Big Screen

A short film full of win

This is insanely well done.

I salute you, filmmaker peoples with remote-control car collections, Michael Bay obsessions and creativity oozing out of your pores. GIVE US MORE.

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This is Guy Bergstrom the writer, not the Guy Bergstrom in Stockholm or the guy in Minnesota who sells real estate or whatever. Separate guys. Kthxbai.

Guy Bergstrom. Photo by Suhyoon Cho.

Reformed journalist. Scribbler of speeches and whatnot. Wrote a thriller that won some award (PNWA 2013). Represented by Jill Marr of the Sandra Dijkstra Literary Agency.

7 Comments

Filed under The Glowing Tube

Writers: can you do it in FOUR WORDS?

That’s the acid test for every writer: four words.

If somebody in line with you for the Largest Latte Known to Man asks what you’re working on, can you explain it in four words?

How about eight words?

Because if you can’t, you’re not really done.

What if I told you ... how to get to Sesame Street?

And I don’t care that you’ve spent the last seven years locked away in a French monastery, slaving away 25 hours a day, eight days a week to perfect (a) The Great American Novel, Even Though It Was Written in France, (b) the movie script that will turn Hollywood on its ear and stop it from spending $250 million apiece on Michael Bay explosion-fests involving robots that transform into cars or whatever  or (c) a punk-rock masterpiece with song after song with lyrics so beautiful, and rebelliously ugly, that anyone who listens to it quits working for The Man and buys an electric Fender so they can learn the only three chords you need to know to become AN INSANE ROCK GOD.

So let’s get down to it. If you haven’t already, read these posts to get all educated and such, even though it is technically cheating — because today, there is a quiz.

Continue reading

23 Comments

Filed under 4 Writing Secrets Wednesday, Fiction, The Big Screen

What made SKYFALL so insanely great?

Yes, the cinematography was beautiful. Just watch the trailer, which is packed with great shot after great shot.

But that’s not why.

Also: cinematography is just a fancy word for “hiring the right dude to actually work the camera and stage amazing shots, because the director is really the Big Boss of the film and not the guy behind the camera, though papers of news will confuse you about this by talking about the man behind the camera when they talk about directors.”

Also-also: the dialogue and writing was much, much better than your typical Bond film. But that’s not what made SKYFALL so excellent that it may be the first Bond film in the history of modern civilization to get nominated for Oscars.

So what truly made SKYFALL so good?


Continue reading

15 Comments

Filed under 3 Tinseltown Tuesday, The Big Screen

Danish commercial makes Michael Bay look like an AMATEUR

Epic slow-motion. Soaring music. Stunned reaction shots — this commercial from Denmark has it all, and they do it better than Michael Bay without even resorting to 593 explosions.

Think of what they could have done with an explosion or seven.

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This is Guy Bergstrom the writer, not the Guy Bergstrom in Stockholm or the guy in Minnesota who sells real estate or whatever. Separate guys. Kthxbai.

Guy Bergstrom. Photo by Suhyoon Cho.

Reformed journalist. Scribbler of speeches and whatnot. Wrote a thriller that won some award (PNWA 2013). Represented by Jill Marr of the Sandra Dijkstra Literary Agency.

7 Comments

Filed under 3 Tinseltown Tuesday, The Glowing Tube

Build your own Writing Monster (Part 2 of Why critique groups MUST DIE)

Conventional wisdom is conventionally wrong.

Nowhere is this more true than in the fields of writing, social media and publicity — three lands where tradition and mythology rule the day.

Those who haven’t read these posts should start here, so they don’t get all Confused, because this is really Part 2 of Why critique groups MUST DIE.

So: if people listen to this silly blog and (a) stop trying to use Twitter to sell books and (b) go all Michael Bay as they blow up old, obsolete critique groups, what should they do instead?

Get a team. Build your own Writing Monster.

Hopefully, better than one of these.

Now, this is the opposite of a critique group, which is typically people who live in the same area, have the same rough skill level and do essentially the same thing, whether it’s writing romances about Men in Kilts, epic fantasies about elves with lightsabers riding dragons or dark mysteries about haunted detectives who are allergic to razors and brush their teeth with bourbon.

That’s not a team. Those are your buddies, your clones.

Successful authors, actors, pro athletes and other public figures have a team full of world-class specialists: publicists to get free ink and airtime, marketers to sell widgets, trainers to make them look good if paparazzi shoot them on a beach in Maui, minions to handle the scheduling and correspondence, editors to edit their words and speechwriters to, I don’t know, write the speeches. Continue reading

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Filed under 4 Writing Secrets Wednesday, Fiction, Journalism, publicity and scandals, Red Pen of Doom, Speechwriting, The Twitter, the Book of Face and the Series of Tubes

Stretch your editing muscles

Proofing for boo-boos is easy. Line editing is tougher.

Structural editing is the toughest.

So let’s play around with a little flash fiction from Joey’s contest and see what we can do, first with a standard edit job, then with a different kind of big-picture spitballing. Continue reading

4 Comments

Filed under 4 Writing Secrets Wednesday, Fiction, Red Pen of Doom