Category Archives: The Glowing Tube

Was Episode 2 of GOTHAM an epic fail or glorious win?

The pilot episode of GOTHAM tried to pack three hours of characters, action and material into one hour, which is more like 42 minutes with all the commercial breaks.

Did I like it? Absolutely.

Was it 10 pounds of plot shoved into a 5-pound bag? Yes. And part of that couldn’t be helped.

However, we now have Episode 2, in capital letters, to reflect upon and answer the question: Can the writers and showrunners keep this thing exciting while slowing it down and giving key characters more screen time?

Here’s the trailer for the pilot, and while this trailer is well done, it doesn’t do justice to how much they tried to pack into it.

And for comparison, before we chat, check out the promo for Episode 2:

So how did they do? Just fine.

In fact, this is one of the rare shows where Episode 2 is better than the pilot.

Why? This time was slower in a good way. They gave villains time to chew the scenery, with the best bits being the slowest scenes.

The second show reminded me of how Quentin the Tarantino ratcheted up the suspense, higher and higher, with the opening scene of INGLORIOUS BASTERDS.

And that’s only a taste of that scene. It goes on and on, and you don’t care that nothing seems to be happening, that’s it’s simply two men at a table with a glass of milk, talking. Because there’s crazy tension and conflict there without a single gunshot or explosion. Michael Bay would go deep into withdrawal, right?

But slow can work. Slow burns are often the best burns. Gunfights and making things go boom doesn’t mean anything unless you give it meaning.

BREAKING BAD understood this perfectly. There was no shortage of blood on the floor of that set, yet Vince the Gilligan and his creww always took their time to carefully plant setups and build up that tension before finally paying them off.

One of best examples of Chekhov’s Gun ever comes from a literal gun, an M60, they planted in the trunk of Walter White’s car, not knowing when, why or how that gun would go off later in the last season. Brilliant!

Well played, GOTHAM people. Good actors, good sets and good pacing. Keep it up.

What say you, (a) casual Batman fans and (b) intense fanboys who know how to spell and pronounce Ra’s al Ghul? Bring it in the comments.

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This is Guy Bergstrom the writer, not the Guy Bergstrom in Stockholm or the guy in Minnesota who sells real estate or whatever. Separate guys. Kthxbai.

Guy Bergstrom. Photo by Suhyoon Cho.

Reformed journalist. Scribbler of speeches and whatnot. Wrote a thriller that won some award and is represented by Jill Marr of the Sandra Dijkstra Literary Agency.

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Filed under 3 Tinseltown Tuesday, The Big Screen, The Glowing Tube

Why this video is intentionally bad and tremendously good

Those two things seem contradictory, don’t they?

No.

A book, movie or TV show can be technically good and awesomely boring at the same time. Example: every CGI-crazed “blockbuster” in the last 10 years that cost $250 million to produce and generated $50 in ticket sales at theaters. Stuff like JOHN CARTER OF MARS and AVATAR (the cartoon, not the blue monkey saga) and five zillion other movies you don’t remember and didn’t see because they stank up the place.

So take a look at this, the Best Ad for a Restaurant in History:

The ad does a number of things badly on purpose.

  • The special effects look like they were put together by a 7th grader who started teaching himself Adobe After Effects yesterday.
  • The script itself put 1,792 grammar teachers in treatment.
  • This actor’s body language could not be more awkward.
  • Casting aside his accent, which I loved, the actor’s inflections keep going astray.
  • The editing and production values, let’s be honest, stink.

If the individual parts of this ad are so horrible, why is the whole thing so great? Continue reading

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Filed under 3 Tinseltown Tuesday, The Glowing Tube, The Twitter, the Book of Face and the Series of Tubes, Viral media math

Age and size matter not — attitude is everything

The great thing about the Series of Tubes is that so many people are sifting through so much stuff, you’re bound to find random bits of awesomesauce. Things you would never intentionally seek out.

John Lindo is wonderfully random bit of awesomesauce, and I am happy to do a little Friendly Friday shout-out to him.

Watch this, then let’s talk about why it works, and why it went viral.

This works because there’s a massive gap between expectation and result.

As an audience, we’ve been trained to think of professional dancers as size zero models that come in male and female. They’re young, tanned and costumed. They dance with the stars, and sometimes date the stars.

John is proudly the opposite of all that. He looks like an average middle-aged dad from the suburbs and shatters your every expectation. He’s full of joy, competence and confidence. I’m not a dance expert or fan, and I’d happily watch more videos of him, and try to learn a bit from him. My wife would go nuts. If we men were crazy smart, we’d do Fight Club on Tuesdays and Thursdays, then get John to teach us to dance like this on Mondays and Wednesday while our bruises fade, then we’d surprise our wives or girlfriends on Friday nights. Continue reading

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Filed under 6 Friendly Friday, Old Media, The Glowing Tube, Viral media math, which is still Big and Strong

GAME OF THRONES as a cheesy ’80s TV show

game of thrones

Now, having only seen bits of GAME OF THRONES doesn’t stop me from loving this video, and wishing they could make an entire episode like this.

Nailed it, didn’t they?

For comparison, here’s the most epic ’80s synthethizer music intro ever, from AIRWOLF:

Let’s chat for a second about why GoT is such a huge hit. It’s not like he invented something brand new, and no, J.R. Tolkien didn’t, either. He borrowed from Nordic myths.

GoT seems to have become huge not despite the fact that major and beloved characters might die at any time, but because of that fact.

It’s completely unlike your typical TV series, which is based on one or two major stars and a cast of bit players. The stars never die, though if a major star leaves the show to give Hollywood a shot, the series often goes kaput.

Think of STAR TREK except Kirk dies in the third episode and Spock gets eaten by a salt-monster on some desert planet in episode five, leaving Bones in charge until the Klingons destroy the Federation in episode seven. Crazy, right? But you’d watch it.

As a special bonus: here are all kinds of intros to crazy ’80s TV shows. Enjoy.

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This is Guy Bergstrom the writer, not the Guy Bergstrom in Stockholm or the guy in Minnesota who sells real estate or whatever. Separate guys. Kthxbai.

Guy Bergstrom. Photo by Suhyoon Cho.

Reformed journalist. Scribbler of speeches and whatnot. Wrote a thriller that won some award and is represented by Jill Marr of the Sandra Dijkstra Literary Agency.

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Filed under 3 Tinseltown Tuesday, The Glowing Tube

Why ARCHER’s arrows are hit and miss

Cast of ARROW tv show

ARCHER — the TV show about a dude with arrows, not the cartoon spoofing James Bond — isn’t horrifically good or amazingly bad, which are the two types of things that are worth discussing and dissecting.

Yet this middling show about a middling superhero is worth taking apart to see the good, the bad and the ugly.

It’s also a good test case, a chance to learn a few lessons from where ARROW works and when it doesn’t. Useful less for anyone who ever wants to write stories, novels, TV shows and movies — or become a masked avenger who lives with his mom.

On the mark: Constant action
There’s no lack of fights, chases and conflict. The opening scenes are often quite good, sometimes starting in the middle of a battle without any boring exposition at all, making you wonder, “Who are those guys Archer is ventilating with green arrows?”

Off the mark: Constant special talks
The fights aren’t bad. The dialogue, though, can kill you.

Every conversation is a special talk that ends in zingers. It’s like the showrunners hired some guy who helped choreograph fights on Jason Statham’s last movie to handle all the fights, then kidnapped the entire writing room of THE YOUNG AND THE RESTLESS to provide the dialogue. Continue reading

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Filed under 3 Tinseltown Tuesday, The Glowing Tube

Top 3 reasons why DEAR KITTEN won the interwebs

This is three minutes of film, via the Series of Tubes, that doesn’t have a single special effect or Michael Bay explosion. Yet it’s blowing up the Series of Tubes like nobody’s business, and not simply because it has cats.

Watch it, then we’ll dissect this to see how — and why — it works so well.

Beautiful, right?

Here are the top 3 reasons why this snippet of film by BuzzFeed works so well:

1) This is actually a long ad for Friskies … with barely a glimpse of the cat food they’re trying to sell you.

So right there, it’s refreshing, since 99.999 percent of TV ads are in your face, hoping to grab your attention for three seconds before you (a) change the channel, (b) pull out your iPhone or (c) amble on over to pillage the pantry.

Even the insanely hyped Super Bowl ads, the ones that are so famous that we get backstory about the advertising folks who created them, despite the fact they look more like your neighbor Bill the Accountant than Don Draper — well, those supposedly amazing ads are typically disappointing. They try too hard. Too fast, too loud, too much. You can see all the money on the screen and yeah, a lot of it is wasted.

Instead of 30 seconds of cars zooming and Danica Patrick in a bikini selling web domains (don’t get that one, either), we get 3 minutes of slow, leisurely voiceover from a cat while B-roll runs wild.

And it is hilarious.

DEAR KITTEN is also different from some of the better Super Bowl ads, like the Darth Vader kid who starts the car using the force. Those are more like one-joke skits, except not so much that the repetition drives you nuts like a bad SNL bit that’s gone on too long. This kitten business isn’t Johnny One Note at all. Continue reading

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Filed under 3 Tinseltown Tuesday, 4 Writing Secrets Wednesday, Fiction, The Glowing Tube

Who says scientists can’t tell killer stories?

A great example of breaking up a talking head with interesting B-roll.

Well done, brilliant scientist and editor peoples at The Atlantic.

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This is Guy Bergstrom the writer, not the Guy Bergstrom in Stockholm or the guy in Minnesota who sells real estate or whatever. Separate guys. Kthxbai.

Guy Bergstrom. Photo by Suhyoon Cho.

Reformed journalist. Scribbler of speeches and whatnot. Wrote a thriller that won some award (PNWA 2013). Represented by Jill Marr of the Sandra Dijkstra Literary Agency.

Leave a comment

Filed under 3 Tinseltown Tuesday, The Glowing Tube